The film
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Portuguese
In her memory lies her body's movements. In order to do three pirouettes, she has to position herself, look at a fixed spot and give a boost.
She repeated the movement so many times she has lost count.
What it's weird now is to keep the movement in her body, know that she can perform it, but not being able to do so. There is no use in looking at a fixed spot and give a boost; her body does not respond to her memory, as if it was betraying her.