Lúcia Murat, After working in the main TV stations and newspapers of Brazil, as Jornal do Brasil and O Globo, she started, in the early 80’s, with independent productions in audiovisual sector.

Feature Films:

• Que Bom Te Ver Viva (1989) .

• Doces Poderes (1996) .

• Brava Gente Brasileira (2000) .

• Quase Dois Irmãos (2004)

• The Foreign Eye (2005)

• Eu prefiro a Maré (pre-production)

Short and documentary:

• O Pequeno Exército Louco – doc. in 16 mm - 1978/84 (Little Mad Army)

• Dias ou Zumbi – doc. - 1987 (Support: Ford Foundation)

• Daisy das Almas deste Mundo (an episode of the feature film “Oswaldianas” in 35 mm - 1991 (Support: Secretaria de Cultura do Estado de São Paulo)

• Reforma Agrária – doc. - 1991 (production TV1)

• O futuro da midia eletrônica – doc. (production TV1) -1992

• Gente que faz (doc. - 50 min. - production TV1) -1993

• Greenpeace – doc. (production Taiga) - 1992 Eco - 92

• 18 dos Forte – doc. (co-production Taiga) - 1995

TV Shows:

• Documentaries about elections - TVE - 1985

• Direction of "Repórteres"- TVE - 1986

• Meio-Ambiente Urgente – Series of documentaries – Independent Porduction • Co-production TV Bandeirantes - 1986/87

• Testemunho – Series of 18 docs. about brazilian history in the XX century. Co-production Taiga - TV Manchete - 1992/93.

• Mulheres no Cinema – Series of 10 shows. Co-production Taiga - TV Manchete - 1993

• O Caso Eu Conto como o Caso Foi - 1993/1994 – 15 adaptations of brazilian literary classics, as "A Carta de Caminha", with Floriano Peixoto; “Iracema”, from José de Alencar, with Denise Milfond, and “ Navio • •• Negreiro”, from Castro Alves, with Luiz Carlos Vasconcelos.

Clips, publicity and videos:

• More than 30 films were done for important enterprises and institutions as Vale do Rio Doce, Editora Record, Programa de Despoluição da Baía de Guanabara, Greenpeace, Defensores da Terra e Cepia.